Page created: 19 March 2012
Latest revision or update: 16 September 2016
Slapoffskis in Oxford
by
Harold Pollins
Originally published in Oxford Menorah issue no.192, September 2009
In the Pesach
2005 issue of Oxford Menorah I gave an account of a booklet written and
published in about 1891 by Marcus Eleazer Ert Slapoffski (see
M. E. Slapoffski of Oxford). I mentioned that there
were two families in Oxford in the late 19th century with the name Slapoffski
and both were in the music business. Despite their sharing the same name the
families were not related to each other. Marcus was born in Holland whereas the
head of the other family, Adolph, was born in Courland, the old name for Latvia.
They were born in the 1820s and both landed up in Oxford in the 1860s but had
met before then. At one time they had linked up as the ‘Hungarian Brothers’,
giving concerts, of which a couple were reported in a Surrey newspaper in the
mid-1860s.
But, you may ask, how did two men, the heads of the families, come to have the
same surname? Marcus's grandson, Marcus Slapp (originally Slapoffski), wrote
about his grandfather in a magazine and also wrote to me about him. He died
early in 2005. His view was that Marcus’s name was originally Marcus Eleazer Ert
and he had adopted the name Slapoffski when he joined up with Adolph. Marcus had
a niece, Kaatje Ert, some thirty years younger than him, of whom he was the
guardian and then the husband. In Oxford they had six children of whom three
died in infancy. One of the survivors was Joseph who was sent to the Jewish
Orphanage at Norwood when his mother died and later was apparently employed in
the bicycle industry in Coventry, as a ’cycle finisher’. At the 1901 Census he
was a lodger in what appears to have been a Jewish household in Coventry, the
head and four boarders being cycle workers and the fifth a gas fitter. Joseph
was the father of Marcus Slapp.
Marcus Slapp thought that Adolph Slapoffski was probably not Jewish, but he also
thought, equally wrongly, that he was Hungarian. It is true that Adolph’s two
wives were both non-Jewish. They were born in Australia to a British army
officer but both were married to Adolph in England, the first apparently dying
in childbirth. The marriage to her sister produced one child, a son, who married
a non-Jewish woman in a church in Oxford. The son, Joseph Gustave, usually just
called Gustave, followed in his father’s (and indeed his grandfather’s) shoes by
becoming a musician. In 1900-1 the family emigrated to Australia where Gustave
became renowned as one of those who introduced opera to the country.
Adolph died soon after arriving in Australia. He was buried in Melbourne
Cemetery. His death certificate shows that at his burial the officiating
minister was Rev Dr Joseph Abrahams, the minister of Melbourne Hebrew
Congregation (and son of Rev Barnett Abrahams and brother to Israel Abrahams -
both well known in Anglo-Jewish history). The death certificate also included
the name of A. Solomon, the chazan of the community. Adolph was clearly Jewish
despite his distance from the community.
One of Gustave’s children, Claude Leo, served in the Australian army in the
First World War. Despite not being halakhically Jewish he was listed in both the
British Jewry Book of Honour and the Australian Jewry Book of Honour. He died in
1951 and was buried in the Presbyterian section of Woodend Cemetery in Victoria.
There remains one intriguing question. If it was true that Marcus Eleazer Ert
adopted the name Slapoffski for purely functional reasons, to join with Adolph,
why did he continue to use it, to pass it on to his children? A mystery, no
doubt to confound and amuse.